Decals* – or: what do Uwe Boll and the Heimatfilm of the 50s have in common?
Some basic thoughts on genre film, especially german genre film – but still no theory of genre film. To be more precise, I am concerned with the relation of the genre film to external reality. This text was created after I saw the documentary by Dominik Graf and Johannes F. Sievert “Open Wound German Film” …
